The novel has two plots but they are psychologically create from raw material unneurotic. Septimus is Clarissas externalization of her mental states. He is the objectification of the frustration and boredom that Clarissa is miserable from. He suggests her tormented soul. He, too, feels the need of spiritual privacy which is incessantly threatened. He objectifies the death of the soul of Mrs. Dalloway and the contemporary civilization. Jean Gui take a shit, a critic, has thus commented on the psychological unity of the novel: The align structure is of another nature: it is homogenous with the content, and that is why the limitation of the books substance precisely defined moments and a centre of references is of pileus importance. What allows us to shift without a jar from Clarissa to Septimus, in bearing of the flower shop, is not their spatial contiguity, nor even the explosion that sound out in the ears of twain.
It is the contiguity of their thoughts. The monstrous threat of the specters who base of operations astride us and suck up half our life-blood, dominators and tyrant, against which Clarissa protests, is the very(prenominal) that Septimus apprehends when he hears the explosion, and against which Rezia wants to call for help. We witness here some(prenominal) anonymous reactions of the crowd.
Likewise, the second meeting between Septimus and Clarissa is put together not only with the help of their aero plane but by the feeling of the beauty and peace, of blended awe and exaltation, of revolution which both experience. Finally the response of Clarissa Dalloway on the talk of Sepimuss death shows, as said by A.D. Moody, that he stands in the novel for the close hidden aspects of her soul. He is the objectification of her death of the soul.
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