Shakespeares Sonnet 19
In his Sonnet 19, Shakespeare
presents the timeless theme of Times mutability. As the buff apostrophizes
Time, one might expect him to address old Time as inconstant, for
such an surname implies times changeability. But inconstant also suggests
capricious, and the lover finds time much grave than whimsical in its alterations.
With the epithet devouring he addresses a greedy, ravenous
hunger, a Time that is waste full moony destructive.
Conceding to Time its wrongs, the lover at first appears to encourage Time to
satisfy its insatiable appetite. Indeed, he familiarly addresses Time as
thou as he commands it harshely to blunt, n make the
earth devour, n pLuck, and burn. not onLy are the
verbs blunt,n npluck, and burn linked by assonance,
but also by their plosive initial consonants, so that the devotees orders sound off
Times destructiveness as well. severally line offers a different image of Time at
work: on the lion, the earth, the tiger, the phoenix-bird. Time is indiscriminate in
its devouring.
In the second quatrain, the lover grants to Time its birth will: And do
whateer thou wilt, swift-footed Time, ack presentlyLedging priorly that in its
fleet passage Time does Make beamy and sorry seasons.
n For the first
time one sees Time in other than a destructive capacity--in its cycLical change
of seasons, some Time does make glad with flower sweets. So
the lover changes his epithet from devouring to swift-footed, certainly more
neutral in tone. For now the lover makes his most assertive command:
But I debar thee one most atrocious crime. n The final quatrain finds the
lover fiat Time to stay its antic antique pen from aging or
marring his love. It is a heinous crime to carve and draw lines on youth and
beauty. ere the Lover no Longer speaks with...
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