The topics of landscape and place and worship for life are at the heart of many of Norman MacCaigs poems. By referring closely to setting, structure, name choice and literary techniques, I will discuss the finis to which I feel Byre fits in with these topics.
In Byre various sections of a group B at dusk are skilfully described to the reader. The crux of the poem is that different parts of the barn are intend to symbolise heaven, hell and earth. One technique MacCaig uses to great instal is apotheosis; using this in the first stanza he makes the nigh common things sound divine. The gutters crystal river-song, By juxtaposing the filthy gutter and the crystal, associated with beauty, the poet ameliorates this gurgling noise into something celestial. This technique is also used in ...roof peal like heaven where mice Squeak small hosannahs... As come up as placing them in the golden pavements, or rafters, above and then symbolically superior to the rest of the barn MacCaig shows the mice great reverence by making them almost angelic with their small hosannahs.
In channel to the heavenly roof, the world below, represents hell.
There is evidence for this in phrases much(prenominal) as Glare with one flaming eye, The use of the explicate flaming which has connotations of nastiness makes kittens that would normally be seen as harmless, even up cute, seem evil. The kittens are also said to be wild, which has demonstrable links to spontaneity and savagery. MacCaig personifies the junk on the barn point in drunken sacks, In doing this he further heightens the line of work between the slovenly, erratic floor and the perfect and divine roof.
In the terzetto verse Swagbellied Aphrodites, come mincing in, This is suitable as it continues the heavenly image by using the name of the ancient...
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