Born in 1832 to Bronson and Abba Alcott, Louisa May Alcott constantly struggled with the anger and individualistic, unladylike tonus that came naturally to her. Since Louisa, like her mother, was born dark-haired and willful, her father viewed her as a challenge, sometimes going so far as to call her the Possessed One pathetic, and bound in imprisonment . . . which she could not break(Stern, Biography, p. 78). He thought that teaching Louisa to stamp d testify her natural inclinations for self-expression and difference in favor of what he sensed as feminine habits was part of his job in life, and Louisa chancemed to see her life as one of struggle between her own will and submission to her fathers. Bronsons belief in Louisas demonic nature, and the doubts and anguish that belief caused Louisa, can be found in her writings. By writing about female characters that were expected to live up to the same expectations placed on her by Bronson, Alcott expressed her aversion of the female ideal. In this paper I have examine Alcotts view of woman in three of her acclaimed works: bitty Women, A Whisperer in the Dark, and Behind A Mask.
Due to strong Protestant influences, nineteenth century American life stressed the enormousness of hard work, social propriety, and religious piety. With these social norms came rigid views of gender roles. Women especially were limited as to what their status was in this club (Stern, Biography, p. 76).
Louisa May Alcotts novel, Little Women, tries to illustrate a favorable portraying of the upstanding lives that four young girls and their mother lead in their allotted roles in this patriarchal culture. The book becomes almost an instructional of how young ladies should act in order to gain respect, let out husbands, and then experience happiness. In Little Women,
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