Monday, February 4, 2013

Literature

CAUSE AND EFFECT: A STYLISTIC ANALYSIS OF THE stage IN NGUGIS A GRAIN OF WHEAT By Dr. Sarala Krishnamurthy, Dean, School of Communication Polytechnic of Namibia, Windhoek, Namibia
Analysis of chronicle in write up fiction poses a major challenge to stylisticians. in that location are several studies of style in fiction, which are in the first place micro-linguistic in nature and focus on certain sections of the young that is being analysed. But up until today, there are has not been a comprehensive abstract of the story of a in force(p) length novel because of the unwieldy stratum of the novel on the one hand, and, on the other, disagreement amongst scholars about identification of private units that make up the story and how these units mesh together. Stylistic analysis of story in fiction, therefore, is a contested area of study. Narratologists try on to describe the deep narrative twist or show up narrative structure of different kinds of narrative rules such as: folk tale, fairy tale, epic, myths, short stories etc. While it is arouse to discover the basic underlying patterns of diverse narratives and identifying the universal structure of narratives from various cultures and climes, the reduction of all narrative to its skeletal form divests the immense variety and incredible complexity of a narrative form, such as a novel.

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This article is an attempt to lift a methodology for the examination of a composite form of the story of a novel drawing upon insights gained from Stylistics and Narratology. Through this analysis, I hope to prove that it is possible to experience the story of a novel thereby emphasizing textual analysis and charlatanism as a rationale for stylistic inquiry. For purposes of illustration, I examine A Grain of Wheat by Ngugi wa ThiongO , Kenyas foremost novelist and one of Africas greatest intellectuals. Keywords: changing and static motifs, transitivity: material, mental and relational processes, causality.

Introduction

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