Monday, February 4, 2013

Homage to Raphael Soyer by George Briddle, 1947

The oil painting Homage to Raphael Soyer by George Briddle is a delineative human that was painted in 1947. This painting portrays a partly nude woman sitting in a mince seemingly taking a break from posing for the operative, who is presumably Raphael Soyer. This introspective portrait portrays the care for that an artist must go through to reach a final product. The casual soldiery of images scattered throughout the painting show the gradual emanation from the casual sketch on the bottom left, to the more diminutive drawing in the middle, then to the profile study on the right and finally to a finished painting on the far right side of the image. This left to right furtherance is easy for the viewer to follow because it is similar to the natural study of language. Because Brittle illustrates the painstaking and time consuming process that the artist had to go through to reach the final product, viewers sight appreciate the painting even more because they now agnize the extensive process of artistic creation.

The plaster cast in the background is also genuinely significant to the painting and the process because it conveys to the viewer that even though the artist is painting in a modern era, they have not forgotten their virtuous roots and techniques.

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Briddle also includes modern methods and aspect to this painting. For example the tell picture within a picture is very arouse because it shows a three-dimensional object flattened and painted on a canvas that is then painted on some other canvas.
Briddle depicts the characters in the painting as gloomy and jade by using facial clues with both subjects, which is not often visualised so blatantly in the foreground of a plow of art. In the portrait the two figures are obviously exhausted and their body language is portrayed as two very rigid objects. This stiffness that the characters exemplify creates a motionlessness piece that further emphasizes the characters weary disposition.

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